After the long Sevillian summer, the central space of the Casino de la Exposición brings together a wide variety of native plant species, colours and reflections. It reminds us of the small ephemeral landscapes of the first rainy days that distract us from the monotony, decontextualised in an interior space. This fictitious landscape puts into crisis the idea of nature as a neutral scenario in which to develop our activities. The natural is now understood as a complex construction that goes beyond its romantic conception and manages to combine nature and culture.
