SHOOT SHOOT SHOOT. LA PRIMERA DÉCADA DE LA LONDON FILM-MAKERS' CO-OPERATIVE 1966-16

SHOOT SHOOT SHOOT: SESSION 2

LA PRIMERA DÉCADA DE LA LONDON FILM-MAKERS’ CO-OPERATIVE 1966-76

THE FIRST DECADE OF THE LONDON FILM-MAKERS' CO-OPERATIVE 1966-76

Annabel Nicolson’s Slides open the session: a real film collage made up of slides, strips of 8mm and 16mm and blurred and sewn film; Marilyn Halford questions the relationship between performer and camera, negative and positive, in steps filled with suspense; Berlin Horse is an explosion of hypnotic colour from Malcolm Le Grice (with music by Brian Eno) and one of the most emblematic pieces from the Co-op; Dresden Dynamo is Lis Rhodes’ response to visual music and rhythmic abstraction; Anne Rees-Mogg picks up the pioneer experiments in chronophotography in playful ways in her Muybridge Film; David Crosswaite’s Film No.1 delights in the idea of the loop, rhythm and superimposition; Raban and Welsby’s films, meanwhile, exploit cinema’s ability to compress and synthesise time, through landscape, light and colour; the final piece is Associations, by John Smith, an ingenious game with associations between word and image, full of humour and intention.

 

SLIDES 
Annabel Nicolson | 1971 | 16mm | 11 min.

FOOTSTEPS 
Marilyn Halford | 1975 | 16mm | 7 min.

BERLIN HORSE 
Malcolm Le Grice | 1970 | 16mm | 8 min.

DRESDEN DYNAMO 
Lis Rhodes | 1971 | 16mm | 5 min.

MUYBRIDGE FILM 
Anne Rees-Mogg | 1975 | 16mm | 5 min.

FILM NO.1 
David Crosswaite | 1971 | 16mm | 10 min.

COLOURS OF THIS TIME 
William Raban | 1972 | 16mm | 3 min.

SEVEN DAYS 
Chris Welsby (1974 | 16mm | 20 min.

ASSOCIATIONS 
John Smith | 1975 | 16mm | 7 min.

Programa proyectado integramente en 16mm.

Resumen SEFF2015 VIERNES 06

SEFF 2016

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